The habit of wearing and styling Sarees is considered a deep-rooted authentic part of Indian Culture! Out of all, one such saree is the well-known, exquisite Saree, the Paithani Sarees from the region of Maharashtra, India named after Paithan town in Aurangabad District.
History & Constituents of Paithani Saree
A silk and zari saree is known as a Paithani. It has simple weave and weft figure patterns that follow tapestry-related ideas. Historically, Paithanis featured a coloured cotton muslin background with much additional zari patterning.
However, silk was also weaved in the 19th century. A silk and gold saree is termed a Pattan. While sarees were primarily created for affluent customers, the rebirth of Paithani weaving focused production on export needs. From a cotton base to a silk base, Paithani developed.
Cotton was utilised for the fabric's body, while silk was used for the borders and weft patterns. There is no sign of cotton in modern-day Paithani. The silk used to be imported from China at one point. Currently, Yeola and Paithan purchase silk in Bangalore.
Borders with an oblique square pattern and a padar with a peacock motif are features of Paithani. There are both plain and spotted styles available. Single-colour and kaleidoscope-coloured patterns are other common variations.
By utilising one hue for weaving lengthwise and another for weaving widthwise, a kaleidoscopic appearance is produced.
Role of Kings in Spreading the Magic of Paithani Sarees
The Nizam of Hyderabad, Asaf Jah II, attempted to introduce the Paithani sarees to the royal court in 1712, which marks the beginning of the Paithani saree's history. The Paithani sarees, on the other hand, were made in a Maharashtrian village named Paithan close to Aurangabad.
Paithan has been a significant hub for silks since the early 17th century. It continued to be a key location for the manufacture of silk textiles until recently. Its history is extensive. The earliest mention of this silk saree's weaving dates to the 16th century, when it first appeared in the area around the city of Paithan, which is situated south of Aurangabad.
For ages, Paithan has been a significant hub for the manufacture of silk. Dhhaagey Sarees, too, hold a magical place when it comes to showcasing the Celebrity style greatest Sarees of all times.
Technical Aspects of Paithani Sarees
The raw silk is meticulously sorted into its individual threads after being cleaned with caustic soda and dyed in the appropriate hues. For 250 grams, Khari (True / Real) zari costs roughly Rs. 1800.
Golden threads with a grade of 1200 yards per tola are bought in Surat. Double and very fine gold threads are employed, so much so that the tightly woven surface appears to be made of mirrors. The fabric has a rather compact weave, with 170 picks and 160 ends per inch.
A metallic thread woven of just pure silver is called zari. Zari was initially produced in Yeola; nowadays, Surat is another zari-producing city. Zari, a material used to make Paithani, was originally extracted from pure gold.
Today, however, silver is a more cost-effective alternative. Dhhaagey Sarees are also built with special technical aspects making them rich, ethnic and truly luxury wear Sarees for the women of India.
History of Motifs & Padar in Paithani Sarees
The ancient, traditional Motifs and the historically designed Padar play an important role in the overall beauty and constitution of Paithani Sarees.
Due to the Paithani themes' close vicinity to the Ajanta caves, it is possible to discern how the Buddhist paintings have influenced them. Dhhaagey Sarees has also included various beautiful Motifs and Designs in the newly launched collection.
The Major important motifs include The Amar Vell, The Kamal or lotus flower on which Buddha sits or stands, The Popat-Maina, The Ashraffi motif, The Hans motif, and The Asawalli also known as the flowering vines which became very popular during the Peshwa's period, The Bangadi Mor Peacock in a Bangle, The Humarparinda, The Narali motif.
The body of the saree also frequently included Circles, Stars, Kuyri, Rui Phool, Kalas Pakhhli, Chandrakor, and clusters of three leaves.
Padar included ancient designs & motifs like A kind of parrot called a "Muniya," which is always green in colour with a sporadic red touch at the mouth and is employed in borders.
Panja, a red-outlined geometric pattern with a flower-like appearance, Laher's design is done in the middle to reinforce the zari and is made of 12 strands of a ladder with three strands on each side. A geometrical construction called Muthada Mor, a peacock, and Asawalli, a flower vase with a blooming plant.
Paithani Sarees truly hold an extremely special role in the History of Indian Cultural attires, especially, the Sarees, just like Dhhaagey Sarees where we focus on connecting you with the flora and fauna of Rich Sarees enrobed by renowned celebrities.
We make you feel the luxury of year-old handmade voluminous Sarees in your wardrobe. And we take the oath that wearing Dhhaagey will infuse your confidence with more beauty and enrichment. To find out more visit our website and buy your own celebrity-style saree, for yourself and your loved ones!
Let us take you on a Journey of Celebrity style ethnic Sarees, so, what are you waiting for? Must visit our website for the Dhhaagey Sarees collection!